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AnonymRegistriert seit: 01.01.1970
Beiträge: 0
FlashBackMagazine…
01. Waterloo13. Waterloo (Swedish Version)
15. Waterloo (German Version)
17. Waterloo (French Version)
19. Waterloo (Alternate mix)01. Waterloo (Eurovision Song Contest performance I, BBC)
02. Waterloo (Melodifestivalen performance I, SVT)
03. Waterloo (Melodifestivalen performance II, SVT)
04. Waterloo (Eurovision Song Contest preview performance, SVT)
05. Waterloo (Eurovision Song Contest, performance II, BBC)
07. Waterloo (Top Of The Pops performance I, BBC)
09. Waterloo (Top Of The Pops performance II, BBC)
11. Waterloo (German version) (Musik aus Studio B, NDR)
13. Waterloo (Top Of The Pops performance III, BBC)FlashBackMagazine… (Osaka 15th/16th August and Tokyo 17th August 1972) … including three Black Nights!)..
Der Ausverkauf nimmt inzwischen irrwitzige Formen an.
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Highlights von Rolling-Stone.deDie 30 besten EDM-Alben aller Zeiten
Neu auf Disney+: Die Film- und Serien-Highlights im August
Amazon Prime Video: Die wichtigsten Neuerscheinungen im August
Neu auf Netflix: Die Serien-Highlights im August 2025
Netflix: Das sind die besten Netflix-Serien aller Zeiten
Neu auf Netflix: Die wichtigsten Filme im August 2025
WerbunggollumDer Ausverkauf nimmt inzwischen irrwitzige Formen an.
Warte ‚mal ab, bis Deep Purple „Waterloo“ covern … :bier:
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FlashBackMagazineWarte ‚mal ab, bis Deep Purple „Waterloo“ covern … :bier:
Gut, das Ritchie Blackmore nicht mehr bei Purple ist, denn er ist Abba Fan… (wahrscheinlich wegen den seinerzeit knackigen Damen)
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Savage bed foot-warmer of purest feline ancestry
soulpope "Ever Since The World Ended, I Don`t Get Out As Much"Registriert seit: 02.12.2013
Beiträge: 56,509
IRMA THOMAS Full Time Woman—The Lost Cotillion Album
http://www.realgonemusic.com/news/2014/1/7/irma-thomas.html
■Full Time Woman—The Lost Cotillion Album Includes All 15 Sides Irma Thomas Recorded for Cotillion
■13 Unreleased Tracks
■Notes by SoulMusic Records Founder David Nathan Describe How He Discovered the Tapes
■Remastered by Alan Wilson at Western Star Studio
■One of the Great Soul Finds in Recent Memory, and a Major Addition to the Irma Thomas Discography
Following a short stint at Chess Records, Irma recorded for Canyon before being signed to Atlantic Records by the label’s much renowned executive, Jerry Wexler. A first session in 1971 yielded one single, “Full Time Woman” (produced by noted New Orleans music legend Wardell Quezergue), which failed to chart but was singled out by Wexler in a 2007 interview as one of his all-time favorite recordings.
Undaunted, Atlantic arranged further sessions for Irma in Detroit, Miami and Philadelphia throughout 1972 – yet none of the material was ever issued. Noted soul music historian and SoulMusic Records founder David Nathan uncovered all the tapes of this treasure trove of previously unreleased material during vault research in 2005; now, more than 40 years after they were originally recorded, Full Time Woman: The Lost Cotillion Album brings all of Irma’s recordings for Atlantic (under its Cotillion imprint) to light for the first time! Irma puts her own distinctive, ever-soulful stamp on such tunes as the standard “Time After Time,” Bobbie Gentry’s 1969 hit, “Fancy,” and Billy Walker’s country hit, “Tell Me Again,” alongside the funky “She’s Taken My Part,” (the flipside of “Full Time Woman”), and R&B-flavored original material including the highlights “Waiting For Someone,” “Our Love Don’t Come Easy” and two early ‘70s Philly soul cuts, “No Name” and “Adam And Eve.” With remastering by Alan Wilson at Western Star Studio in the U.K. and liner notes by David Nathan that recount his personal odyssey in search of these tapes, Irma Thomas: Full Time Woman—The Lost Cotillion Album features a full 13 unreleased tracks and represents a major addition to the Irma Thomas discography. Brought to you by Real Gone Music and SoulMusic Records!
Songs:
Full Time Woman
All I Wanna Do Is Save You
She’s Taken My Part
Shadow of the Sun
Waiting for Someone
Fancy
Time After Time
Our Love Don’t Come That Easy
Turn Around and Love You
Tell Me Again
Try to Be Thankful
It’s Eleven O’Clock
Could It Be Differently
No Name
Adam and Eve
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"Kunst ist schön, macht aber viel Arbeit" (K. Valentin)wolfgangGut, das Ritchie Blackmore nicht mehr bei Purple ist, denn er ist Abba Fan… (wahrscheinlich wegen den seinerzeit knackigen Damen)
Ich denke, das hat ihm sein Hausdrachen längst ausgetrieben ;)
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living is easy with eyes closed...4 CDs of unedited, primarily unreleased music including 2+ HOURS of extended material & rarities
Curated by Carlos Santana, with firsthand accounts & insight into a seismic shift in American society, music & culture
Four-CD box set presents four nights of historic performances at legendary Fillmore East in New York, in their complete unedited form for the first time
Over two hours of previously unissued music,including bonus tracks recorded at Fillmore West in San Francisco
1970 band comprised Miles Davis, Chick Corea, Keith Jarrett, Dave Holland, Jack DeJohnette, Airto Moreira, and Steve Grossman
Fillmore 1970 performances contributed significantly to Miles’ induction into Rock And Roll Hall Of Fame – the only jazz artist and only solely instrumental artist ever inducted
January 23, 2014-New York, NY-Miles Davis’ historic four-night stand at promoter Bill Graham’s legendary Fillmore East in New York City, June 17-20, 1970, is presented in its entire full-length unedited form for the first time as MILES AT THE FILLMORE – Miles Davis 1970: The Bootleg Series Vol. 3.
At one of the most crucial moments in jazz and rock history, two months after the release of Miles’ groundbreaking double-LP Bitches Brew in April 1970, he was beginning to discover – and be discovered by – the burgeoning rock audience that came of age in the late 1960s. Miles, inducted into the Rock And Roll Hall Of Fame in 2006, the only jazz artist and only solely instrumental artist ever inducted, had started listening to the funk of James Brown, Sly & the Family Stone, the Chambers Brothers, and Jimi Hendrix, not to mention the Beatles. Bitches Brew was a turning point for jazz and rock. Bill Graham had a long history of presenting jazz artists at the Fillmores (Charles Lloyd, John Handy, and Roland Kirk among them) but it was Miles who carried rock audiences to a new plateau.
In October 1970, Columbia Records released the 2-LP set Miles Davis At Fillmore, which consisted of performances culled from the four nights of shows at the Fillmore East (where Miles opened for fellow Columbia artist Laura Nyro). At that time the shows were edited to fit the LP format. The full unedited shows are now presented for the first time yielding 100-plus minutes of previously unreleased music.
The three additional bonus tracks add another 35 minutes of music, released here for the first time, recorded in April 1970, at the Fillmore West in San Francisco (where Graham put Miles and band on a bill with the Grateful Dead and Stone The Crows). MILES AT THE FILLMORE – Miles Davis 1970: The Bootleg Series Vol. 3 now contains 135 minutes of previously unreleased music.
The extensively researched 36-page booklet that accompanies the box set contains a number of specially written pieces. These provide a context for Miles’ musical transformations in the turbulence of the Fillmore rock epoch, as the psychedelic era of the late-1960s segued into the politically-charged intersection of the anti-war movement, Black Power, and the rise of funk:
An eloquent and authoritative 2,200-word first-hand account by Carlos Santana (as told to author Ashley Kahn), examining Miles’ complex place in the pantheon of jazz, funk and rock, and his intriguing relationship with Bill Graham during the near two-year span that Miles played shows at the Fillmores;An introductory Producers’ Note written by reissue producers Richard Seidel and Michael Cuscuna, providing a concise overview of Miles’ Fillmore period and the project itself, its correlation with the original Columbia double-LP, especially the additional 100 minutes of unreleased music from the shows, and 35 minutes of unreleased music on the bonus tracks;An illuminating 2,500-word chronologic essay by Cuscuna, who was also a first-hand witness (as a disc jockey on New York’s influential WPLJ-FM) to Miles’ development at the time, further underscoring progressive underground FM radio and the late-’60s rock generation’s discovery of Miles at this crucial turn of his career.With the release of his groundbreaking double-LP Bitches Brew on Columbia just two months earlier in April 1970, Miles was front-page news around the world. He was leading a quintet lineup that included Chick Corea on electric piano, bassist Dave Holland, and drummer Jack DeJohnette (all of whom had been at the core of the Bitches Brew sessions recorded in August 1969), plus two members who had played on studio sessions since November, 1969 and then joined the touring band in February and April of 1970 respectively – tenor and soprano saxophonist Steve Grossman, and percussionist, flutist and vocalist Airto Moreira.At the Fillmore East, they were joined by none other than Keith Jarrett on organ and tambourine, during the historic three month period when both Jarrett and Corea manned the keyboards for Miles. Jarrett had just played on some key Miles studio sessions in the weeks before the Fillmore East shows, and would continue to be a member of the band until late 1971, also performing on Miles’ remaining two Fillmore stints – at Fillmore West in October 1970, and May 1971.
The four-CD box set devotes one disc to each of the four nights that Miles and his group performed at the Fillmore East. As issued on the original Columbia double-LP in 1970 (Miles Davis At Fillmore, currently available on double-CD as C2K 65139) the music, whose original set lengths ranged from 46 minutes to nearly one hour, was edited by producer Teo Macero to accommodate a seamless sampling of music from each night on each of the four LP sides. Furthermore, no song titles were listed, and the LP sides were simply labeled “Wednes¬day Miles,” “Thursday Miles,” “Friday Miles,” and “Saturday Miles.” To paraphrase a review of the double-LP in Variety at the time, “the only label that can be placed on this program is that it’s Miles Davis music.”
In a rare, in-depth 1970 interview for rock magazine Zygote, it was reported that Miles, while listening to the concert playback, was “so excited about the music that he wanted every set, every note made available to the public…” Back in April, Rolling Stone critic Vince Aletti praised Miles’ [March] debut at the Fillmore East: “He came out looking and sounding tight and steely-hard, knees bent and horn raised, like a heavy spring under tension.”
For 2014’s MILES AT THE FILLMORE – Miles Davis 1970: The Bootleg Series Vol. 3, the producers returned to the original remote live recording tapes, produced by Macero and engineered by Stan Tonkel. On each of the four nights, Miles and his group shook the rafters with high-volume performances of four staples (and the half-minute closer, “The Theme”):
“Directions” (which he first recorded in the studio in November 1968, and played every night from 1969 to ’71, but was not issued on record until 1980);“The Mask” (described by Santana, “[it] made you feel like you were in an Alfred Hitchcock movie and something’s about to happen and you can’t get out of the way,” it was a new tune that Miles recorded two weeks before these Fillmore East shows, at the tail end of the four-month long Jack Johnson sessions);“It’s About That Time” (from the In A Silent Way album of early 1969); and“Bitches Brew” (lean and muscular versions in the 10 to 14-minute range, that did not sacrifice any of the funk power of the original 27-minute album version, probably the first Miles record purchased by most of the Fillmore rock fans).As Miles and the Fillmore East audiences warmed up to each other, and the sets grew to nearly an hour in length, additional tunes were heard. On the second night, Miles played an encore (an extremely rare occurrence), “Spanish Key” from Bitches Brew. On both the third and fourth nights, Miles followed up “It’s About That Time” with the same two songs: the World War II evergreen “I Fall In Love Too Easily” (associated with Frank Sinatra, recorded by Miles on 1963’s Seven Steps To Heaven) and the Wayne Shorter composition “Sanctuary” (from Bitches Brew). On the fourth night, Miles added “Willie Nelson,” which he had recorded in February at the start of the Jack Johnson sessions.
For the bonus tracks, the producers judiciously chose three songs from the April 1970 Fillmore West shows that were in the band’s repertoire, but were not performed at the Fillmore East in June. On disc one, “Wayne Shorter’s ‘Paraphernalia’ and ‘Footprints’,” the producers note, “are from the earlier acoustic repertoire and Miles was to soon stop per¬forming them.” (In fact, “Paraphernalia” dates from 1968’s Miles In the Sky, and “Footprints” dates from 1966’s Miles Smiles.) On disc three, a 13-minute live version of the Jimi Hendrix-influenced “Miles Runs The Voodoo Down” rivals the 14-minute original on Bitches Brew.
MILES AT THE FILLMORE – Miles Davis 1970: The Bootleg Series Vol. 3 is the third entry in the Miles Davis Bootleg Series of previously unreleased (or only bootlegged) live performances. Each volume is produced for release by multiple Grammy Award® winners Richard Seidel and Michael Cuscuna, and co-produced by multiple Grammy Award® winner Steve Berkowitz. MILES AT THE FILLMORE was mixed by Grammy Award® winner Dave Darlington. Executive Producers for the Miles Davis Estate are Erin Davis, Cheryl Davis and Vince Wilburn, Jr. Restorations are mastered by multiple Grammy Award® winner Mark Wilder at Battery Studios in New York City with Maria Triana. The first two titles in the series comprised:
“The sound of Miles at the Fillmore,” Carlos Santana told Ashley Kahn of those seriously tripped-out times, “was the sound of the Black Panthers. It was the sound of Vietnam. It was the sound of the protesting and the beatings and the shootings. It was the sound of the hippies and fighting in the streets and consciousness revolution… You can hear that anger and darkness and the craziness of everything that was still in the air from the ’60s when this music was made. The ’60s were over and they also weren’t, you know?
“If ever there was a time when a rock audience was willing to open their ears and hear some great modern jazz like the kind Miles was creating, it was at the Fillmore… [Bill Graham] created that environment consciously and honestly and brutally, and got a new generation to hear the beauty in this music. That was the deal: if you want to hear Steve Miller or Neil Young or Santana, you’ve got to hear Miles Davis.”Tracklist:
Disc One (Fillmore East, Wednesday, June 17, 1970) – Selections: 1. Introduction by Bill Graham • 2. Directions • 3. The Mask • 4. It’s About That Time • 5. Bitches Brew • 6. The Theme • Bonus tracks (Fillmore West, April 11, 1970): 7. Paraphernalia • 8. Footprints.
Disc Two (Fillmore East, Thursday, June 18, 1970) – Selections: 1. Directions • 2. The Mask • 3. It’s About That Time • 4. Bitches Brew • 5. The Theme • 6. Spanish Key (Encore) • 7. The Theme.
Disc Three (Fillmore East, Friday, June 19, 1970) – Selections: 1. Directions • 2. The Mask • 3. It’s About That Time • 4. I Fall In Love Too Easily • 5. Sanctuary • 6. Bitches Brew • 7. The Theme • Bonus track (Fillmore West, April 11, 1970): 8. Miles Runs The Voodoo Down.
Disc Four (Fillmore East, Saturday, June 20, 1970) – Selections: 1. Directions • 2. The Mask • 3. It’s About That Time • 4. I Fall In Love Too Easily • 5. Sanctuary • 6. Bitches Brew • 7. Willie Nelson • 8. The Theme.
Quelle/Source: SpinCDs
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Wow. Aber wer hat sich dieses Cover ausgedacht?
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Do you believe in Rock n Roll?Allmann Brothers: Play All Night: Live at the Beacon Theater 1992
Der ersten Beacon Run, das erste Mal mit Warren Haynes.
Disc: 1
1. Statesboro Blues
2. You Don’t Love Me
3. End Of The Line
4. Blue Sky
5. Nobody Knows
6. Low Down Dirty Mean
7. Seven Turns
8. Midnight Rider
9. Come On In My KitchenDisc: 2
1. Guitar Intro / Hoochie Coochie Man
2. Jessica
3. Get On With Your Life
4. In Memory Of Elizabeth Reed
5. Revival
6. Dreams
7. Whipping PostVeröffentlichung am 18. Februar 2014 – die Gegenbeschallung zum Karneval ist gesichert.
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Elton John‘s 40th anniversary reissue of Goodbye Yellow Brick Road has been officially announced and is available to pre-order.
The Super Deluxe Edition includes a newly remastered version of the album, a second disc containing covers (as well as some demos and outtakes from the sessions), and a two-disc recording from Elton’s December 1973 performance at the Hammersmith Odeon in London. The fifth and final disc is a DVD containing the 1973 documentary Elton John and Bernie Taupin Say Goodbye To Norma Jean and Other Things. The SDE comes in a presentation box and accompanied by what looks like a really good a 100-page book (see video below).
There will also be a two-CD deluxe, which will just have CD 1 & 2 from the SDE, as well as a 2LP vinyl version (album only) and a Pure Audio Blu-ray audio edition. As usual it is a bit of a guessing game about whether a 5.1 surround will be on this hi-res version. No details are being offered, although we do expect stereo and surround mixes to be included.
Goodbye Yellow Brick Road 40th Anniversary editions are released on 24 March 2014.
Super Deluxe Track listing (discs 1 & 2 only for 2CD Deluxe)
Disc One:
1.Funeral For A Friend / Love Lies Bleeding
2.Candle In The Wind
3.Bennie And The Jets
4.Goodbye Yellow Brick Road
5.This Song Has No Title
6.Grey Seal
7.Jamaica Jerk Off
8.I’ve Seen that Movie Too
9.Sweet Painted Lady
10.The Ballad Of Danny Bailey (1909-34)
11.Dirty Little Girl
12.All the Girls Love Alice
13.Your Sister Can’t Twist (But She Can Rock’n’Roll)
14.Saturday Night’s Alright For Fighting
15.Roy Rogers
16.Social Disease
17.HarmonyDisc Two:
1.Candle In The Wind – Ed Sheeran (3:22)
2.Bennie and the Jets – Miguel (5:10)
3.Goodbye Yellow Brick Road – Hunter Hayes (3:15)
4.Grey Seal – The Band Perry (3:48)
5.Sweet Painted Lady – John Grant (3:58)
6.All The Girls Love Alice – Emili Sande (3:40)
7.Your Sister Can’t Twist (But She Can Rock And Roll) – Imelda May (2:51)
8.Saturday Night’s Alright For Fighting – Fall Out Boy (3:42)
9.Harmony – Zac Brown Band (2:55)
10.Grey Seal (piano demo) – Elton John (3:20)
11.Grey Seal (1970 Original) – Elton John (3:37)
12.Jack Rabbit – Elton John (1:51)
13.Whenever You’re Ready (We’ll Go Steady) – Elton John (2:52)
14.Screw You (Young Man Blues) – Elton John (4:43)
15.Candle In The Wind (Acoustic) – Elton John (3:52)
16.Step Into Christmas – Elton John (4:10)
17.Ho Ho Ho (Who’d Be A Turkey At Christmas?) (4:04)
18.Philadelphia Freedom – Elton John (5:21)
19.Pinball Wizard – Elton John (5:15)Disc 3: BBC Elton John Hammersmith Odeon 22nd December 1973
1.Funeral For A Friend
2.Love Lies Bleeding
3.Candle In The Wind
4.Hercules
5.Rocket Man
6.Bennie And The Jets
7.Daniel
8.This Song Has No Title
9.Honky CatDisc 4: BBC Elton John Hammersmith Odeon 22nd December 1973
1.Goodbye Yellow Brick Road
2.The Ballad Of Danny Bailey
3.Elderberry Wine
4.Rudolph The Red-Nosed Reindeer
5.I’ve Seen That Movie Too
6.All The Girls Love Alice
7.Crocodile Rock
8.Your Song
9.Saturday Night’s Alright For FightingDVD Disc 5:
Bryan Forbes’ 1973 film Elton John and Bernie Taupin Say Goodbye To Norma Jean and Other Things (45 minutes)Quelle: SuperDeluxeEdition
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Die bereits für das letzte Jahr angekündigte Live-Box soll jetzt von RHINO am 21.03.2014 mit 4CDs kommen.
Tracklist:
Disk 1 von 4
1Three Time Loser (Live – Leicester, England, 12/4/76)
2You Wear It Well (Live – Leicester, England, 12/4/76
3Big Bayou (Live – Leicester, England, 12/4/76)
4Tonight’s The Night (Gonna Be Alright) (Live – Leicester, England, 12/4/76)
5The Wild Side Of Live (Live – Leicester, England, 12/4/76)
6Sweet Little Rock ‚N Roller (Live – Leicester, England, 12/4/76)
7I Don’t Want To Talk About It (Live – Newcastle, England, 12/17/76)
8The Killing Of George (Part I And II) (Live – Leicester, England, 12/5/76)
9Maggie May (Live – Newcastle, England, 12/17/76)
10Angel (Live – Leicester, England, 12/5/76)
11Get Back (Live – Leicester, England, 12/5/76)
12(I Know) I’m Losing You (Live – Leicester, England, 12/5/76)
13This Old Heart Of Mine (Live – Leicester, England, 12/5/76)Disk 2 von 4
1Sailing (Live – Leicester, England, 12/5/76)
2Stay With Me (Live – Leicester, England, 12/5/76)
3Born Loose (Live – Forum, Los Angeles, CA, 6/21/79)
4(If Loving You Is Wrong) I Don’t Wanna Be Right (Live – Forum, Los Angeles, CA, 6/21/79)
5I Just Want To Make Love To You (Live – Forum, Los Angeles, CA, 6/21/79)
6Blondes (Have More Fun) (Live – Forum, Los Angeles, CA, 6/21/79)
7Medley: (I Know) I’m Losing You / It’s All Over Now / Standin‘ In The Shadows Of Love / Layla (Live – Forum, Los Angeles
8Medley: Twistin‘ The Night Away / Every Picture Tells A Story (Live – Forum, Los Angeles, CA, 6/21/79)
9She Won’t Dance With Me (Live – Wembley, London, England, 12/6/80)
10Passion (Live – Wembley, London, England, 12/6/80)
11Gi‘ Me Wings (Live – Wembley, London, England, 12/6/80)
12Hot Legs (With Tina Turner) (Live – Forum, Los Angeles, CA, 12/19/81)Disk 3 von 4
1Tonight I’m Yours (Don’t Hurt Me) (Live – San Diego, CA, 11/5/84)
2You’re In My Heart (The Final Acclaim) (Live – San Diego, CA, 11/5/84)
3(Sittin‘ On) The Dock Of The Bay (Live – San Diego, CA, 11/5/84)
4Hungry Heart (Live – San Diego, CA, 11/5/84)
5Bad For You (Live – San Diego, CA, 11/5/84)
6Some Guys Have All The Luck (Live – San Diego, CA, 11/5/84)
7Rocke Me Baby (Live – San Diego, CA, 11/5/84)
8Infatuation (Live – Meadowlands, East Rutherford, NJ, 8/11/89)
9I Ain’t Superstitious (Live – Meadowlands, East Rutherford, NJ, 8/11/89)
10Every Picture Tells A Story (Live – Meadowlands, East Rutherford, NJ, 8/11/89)
11Lost In You (Live – Meadowlands, East Rutherford, NJ, 8/11/89)
12Forever Young (Live – Meadowlands, East Rutherford, NJ, 8/11/89)
13Da Ya ThinkI’m Sexy (Live – Meadowlands, East Rutherford, NJ, 8/11/89)
14Crazy About Her (Live – Meadowlands, East Rutherford, NJ, 8/11/89)
15Try A Little Tenderness (Live – Meadowlands, East Rutherford, NJ, 8/11/89)
16You’re In My Heart (The Final Acclaim) (Reprise) (Live – Meadowlands, East Rutherford, NJ, 8/11/89)Disk 4 von 4
1Downtown Train (Live – Wembley, London, England, 5/5/91)
2This Old Heart Of Mine (Live – Wembley, London, England, 5/5/91)
3Stay With Me (Live – Wembley, London, England, 5/5/91)
4Sweet Soul Music (Live – Wembley, London, England, 5/5/91)
5Mandolin (Live – Wembley, London, England, 5/5/91)
6Highgate Shuffle (Live – Wembley, London, England, 5/5/91)
7Baby Jane (Live – Wembley, London, England, 5/5/91)
8Baby Please Don’t Go (Live – Greek Theatre, Los Angeles, CA, 10/21/93)
9Cut Across Shorty (Live – Greek Theatre, Los Angeles, CA, 10/20/93)
10(Find A) Reason To Believe (Live – Greek Theatre, Los Angeles, CA, 10/20/93)
11Handbags & Gladrags (Live – Greek Theatre, Los Angeles, CA, 10/20/93)
12Having A Party (Live – Greek Theatre, Los Angeles, CA, 10/20/93)
13People Get Ready (Live – Greek Theatre, Los Angeles, CA, 10/21/93)
14Have I Told You Lately (Live – Greek Theatre, Los Angeles, CA, 10/20/93)
15Medley: Twistin‘ The Night Away / Chain Gang (Live – Greek Theatre, Los Angeles, CA, 10/20/93)
16Cigarettes And Alcohol (Live – London, England, 5/19/98)
17Rocks (Live – London, England, 5/19/98)--
Following the release of 1981’s Living Eyes, The Bee Gees effectively called it a day. The band reportedly clashed during the making of the album, and its lack of chart success convinced Barry, Robin and Maurice Gibb to pursue non-band projects for a time. Solo albums and soundtrack recordings arrived, and the Barry Gibb/Karl Richardson/Albhy Galuten team worked its magic on releases by Dionne Warwick, Kenny Rogers and Diana Ross (featuring numerous songs co-written by all three brothers, of course). But a new Bee Gees album didn’t arrive until 1987. When it did, it was the group’s first ever release for Warner Bros. Records. That “comeback” album, E.S.P., yielded the U.K. chart-topper “You Win Again.” E.S.P. leads off The Warner Bros. Years, a new 5-CD box set due on April 15 chronicling the band’s three albums for the Warner label…and more! The Warner Bros. Years includes the entirety of E.S.P. (1987), One (1989) and High Civilization (1991), and adds demos, single edits and remixes, as well as the world premiere of a 2-CD live album, One for All.
“You Win Again” was a worldwide smash virtually everywhere other than in the United States. The single, which announced a modernized sound for The Bee Gees, went straight to pole position in Great Britain, Ireland, Switzerland, Germany, Austria, Denmark and Norway, and reached the Top 10 in Italy, the Netherlands, Australia and Sweden. When it reached No. 1 in October 1987 in the U.K., it made The Bee Gees the first group to reach No. 1 in three consecutive decades. E.S.P. reunited Barry, Robin and Maurice with producer Arif Mardin, the R&B legend who helmed their seventies classics Mr. Natural and Main Course (including the U.S. No. 1 single “Jive Talkin’”). The album itself went Top 5 in the U.K. and cracked the Top 100 of the Billboard 200 stateside. The box set’s remastered edition of the album includes five bonus tracks: the demo, single edit and extended version of the title track, plus the single edit of “Angela” and the extended version of “You Win Again.” (Other remixes of “E.S.P.” from producer Arthur Baker have not made the cut.)
The Bee Gees returned two years later with One (1989). Co-produced by the band and Brian Tench, it was group’s first digital recording. And it finally rewarded Barry, Robin and Maurice with another U.S. Top 10 hit in its title track. But the success of One was bittersweet. While recording the album, brother Andy Gibb died unexpectedly. Following a break in recording, Andy’s brothers returned to the studio with “Wish You Were Here” and dedicated the album to him. The original U.S. release of One had a different track listing than its international counterpart, switching “Ordinary Lives” and “One” in the running order, and dropping CD bonus track “Wing and a Prayer” in favor of another appearance of “You Win Again” from E.S.P. (For those who hadn’t yet switched to CD, “Wing and a Prayer” was the vinyl single B-side of “One.”) The version in the box set restores the original, preferred international sequence, and adds four bonus tracks. Lead single “One” is included in its edited remix as well as 12-inch Dance and Club Mix versions. (The dub version is not present.) The fourth extra is “Shape of Things to Come,” which originally appeared on 1988 Summer Olympics Album: One Moment In Time.
The next Bee Gees studio album followed the four-CD box set Tales of the Brothers Gibb which arrived from Polydor in 1990 with unreleased material and remarkable, brand-new stereo mixes from Bill Inglot. The next year’s High Civilization ended the group’s Warner contract. With its heavily electronic sound, it announced that the Bee Gees were making no concessions to their past but still staying contemporary. It also took advantage of the CD format, lasting over 60 minutes for eleven songs. Lead single “Secret Love” reached the Top 5 in Britain and No. 2 in Germany, but wasn’t even issued in the United States; its B-side “True Confessions” appeared as the CD bonus track on the album. It’s, of course, included on the edition in this new box set. No bonus material has been added to High Civilization; the second single “When He’s Gone” added a live B-side of “Massachusetts” which is included elsewhere on the box. A Dutch promo single had an edited version of “When He’s Gone” and the U.S. single of the song also edited it down by over one minute. The third single “The Only Love” reached No. 31 in Germany but did not chart in America or Britain. It was backed by a live “You Win Again” which is also present in the box. In the U.S., Warner Bros. issued a cassette single of “Happy Ever After” with two edited versions of the song, but neither of those edits are included on The Warner Bros. Years.
The live versions of “Massachusetts” and “You Win Again” can be heard on what will be, for many, the highlight of this new box. Discs Four and Five are dedicated to the first-time CD release of One for All. In 1991, the Bee Gees released a concert video of that name, recorded in 1989 in Melbourne, Australia on the last stop on the group’s One For All World Tour. During the concert, they touched on every era of their career from early Australian recording “Spicks and Specks” to the disco hits “Stayin’ Alive” and “Nights on Broadway” as well as more recent material like “You Win Again.” The Bee Gees even touched on the songs penned for other artists like “Heartbreaker” and “Islands in the Stream.” Over the years, some of these performances have been released on various collections, but The Warner Bros. Years marks the first time that audio of the entire concert will be available.
The release of the box set builds anticipation to the U.S. leg of Barry Gibb’s Mythology Tour, which will make stops in Boston, Philadelphia, Jones Beach, NY, Chicago, Concord, CA, and Los Angeles. For the tour, Barry will be joined by his son Stephen and his niece, Maurice’s daughter Samantha Gibb.
The Warner Bros. Years arrives from Warner Bros. Records on April 15.
CD 1: E.S.P. (1987)
1.“E.S.P.”
2.“You Win Again”
3.“Live Or Die (Hold Me Like A Child)”
4.“Giving Up The Ghost”
5.“The Longest Night”
6.“This Is Your Life”
7.“Angela”
8.“Overnight”
9.“Crazy For Your Love”
10.“Backtafunk”
11.“E.S.P.” (Vocal Reprise)
12.“E.S.P.” (Demo Version) (from Tales of the Brothers Gibb, Polydor CD 843 911-2, 1990)
13.“Angela” (Edit) (from Warner Bros. single 927 957-7, 1987)
14.“E.S.P.” (Edit) (from Warner Bros. single 7-28139, 1987)
15.“You Win Again” (Extended Version) (from Warner Bros. single 927 957-7, 1987)
16.“E.S.P.” (Extended Version) (from Warner Bros. single 920 820-0, 1987)CD 2: One (1989)
1.“Ordinary Lives”
2.“One”
3.“Bodyguard”
4.“It’s My Neighborhood”
5.“Tears”
6.“Tokyo Nights”
7.“Flesh And Blood”
8.“Wish You Were Here”
9.“House Of Shame”
10.“Will You Ever Let Me”
11.“Wing And A Prayer”
12.“Shape Of Things To Come” (from Arista ARCD-8551, 1988)
13.“One” (Remix/Edit) (from Warner Bros. single PRO-A-3753, 1989)
14.“One” (12” Dance Version) (from Warner Bros. single PRO-A-3753, 1989)
15.“One” (12” Club Mix) (from Warner Bros. single PRO-A-3753, 1989)CD 3: High Civilization (1991)
1.“High Civilization”
2.“Secret Love”
3.“When He’s Gone”
4.“Happy Ever After”
5.“Party With No Name”
6.“Ghost Train”
7.“Dimensions”
8.“The Only Love”
9.“Human Sacrifice”
10.“True Confessions”
11.“Evolution”CD 4: One for All – Disc One (1991)
1.Introduction
2.“Ordinary Lives”
3.“Giving Up The Ghost”
4.“To Love Somebody”
5.“One”
6.“Tokyo Nights”
7.“Words”
8.“Juliet”
9.“Lonely Days”
10.Medley: 1.“New York Mining Disaster 1941”
2.“Holiday”
3.“Too Much Heaven”
4.“Heartbreaker”
5.“Islands In The Stream”
6.“Run To Me”
7.“World”
8.“Spicks And Specks”CD 5: One for All – Disc Two (1991)
1.“How Deep Is Your Love”
2.“It’s My Neighborhood”
3.“How Can You Mend A Broken Heart”
4.“House Of Shame”
5.“I Started A Joke”
6.“Massachusetts”
7.“Stayin’ Alive”
8.“Nights On Broadway”
9.“Jive Talkin’”
10.“You Win Again”
11.“You Should Be Dancing”All tracks previously unreleased on CDs 4 and 5
Quelle: SecondDisc
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For years, Rock Candy Records has been doing great work with high-quality remasters of great album-oriented rock records. This year, they will take on one of the undisputed kings of that subgenre, with three reissues from Toto due on March 24.
Formed by a talented collection of session players, Toto – David Paich on keyboards, schoolmate Jeff Porcaro on drums, younger brother Steve adding his keyboard prowess, guitarist Steve Lukather, bassist David Hungate and lead singer Bobby Kimball – did a phenomenal job of fusing together pop, rock, R&B, jazz and progressive elements in a sound that was pretty immediately familiar (no surprise, given each member’s maniacally prolific discographies on the session front). 1978′s debut Toto spun off a Top 5 hit in “Hold the Line” (alongside moderate hits “I’ll Supply the Love” and “Georgy Porgy”) and earned the band a Grammy nomination for Best New Artist. Follow-ups Hydra (1979) and Turn Back (1981), featuring a slightly edgier, more lyrically obtuse presentation, were not nearly as successful, but 1982 saw the band bounce back in a big way – once with Toto IV, the band’s critical and commercial peak (with six Grammys and two smash singles, notably the chart-topping “Africa”), and once with Paich, Lukather and the Porcaros’ prominent session appearances on Michael Jackson’s Thriller, the other big album of 1982. (Steve Porcaro co-wrote one of the album’s seven hit singles, “Human Nature.”)
Hungate’s departure after the release of Toto IV and subsequent replacement by third brother Mike Porcaro was the first of a few lineup changes over the years. Vocalists included the late Fergie Frederiksen and Joseph Williams (son of film composer John), while Simon Phillips replaced Jeff Porcaro after his sudden passing in 1992. Today the band continues to tour, with Williams on vocals, new drummer Keith Carlock and legendary session bassist Nathan East filling in for the retired Mike Porcaro.
Featuring new remastering and essays, Toto, Hyrdra and Turn Back are solid new entries in the Rock Candy discography.
„Toto“ features one bonus track – a 12″ dance version of “Georgy Porgy”
Quelle: SecondDisc und RockCandyRecords
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Grace Jones‘ 1981 album Nightclubbing will be issued as a two-CD deluxe edition in April 2014.
The album was the second in Jones’ so-called Compass Point Trilogy, produced by Chris Blackwell and Alex Sadkin at Blackwell’s Bahamas recording studio.
Widely regarded as her best studio work, the record spawned many singles including Pull Up To The Bumper, Demolition Man and I’ve Seen That Face Before (Libertango). This deluxe reissue sees Nightclubbing remastered for the first time with the bonus CD bringing together a large number of remixes, as well as offering two previously unreleased tracks (including a cover of the Gary Numan/Tubeway Army track Me! I Disconnect From You.
No fewer than six versions of Pull Up To The Bumper can be found in this new double disc set including the 1985 remix, the rare 1981 ‘Party Version’, and Peanut Butter, an instrumental version of the song. Sadly, their is no place for the ‘Musclemix’ – a megamix which starts and ends with Pull Up To The Bumper and in between takes in some of Jones’ greatest hits, including three tracks from Nightclubbing.
A two-LP gatefold heavyweight vinyl record will also be issued, with the second LP including six remixes (as well as the two unreleased tracks).
The good news is that Universal appear to have ticked all the boxes with this release. The double LP comes with a digital download, and there will be a physical hi-res option with a Pure Audio blu-ray audio edition that contains all 22 tracks found on the two-CD deluxe version.
Nightclubbing is reissued on 28 April 2014.
Track listings
2CD deluxe and hi-res Pure Audio track listing
Disc 1
1 Walking In The Rain 4.18
2 Pull Up To The Bumper 4.41
3 Use Me 5.04
4 Nightclubbing 5.06
5 Art Groupie 2.39
6 I’ve Seen That Face Before (Libertango) 4.30
7 Feel Up 4.03
8 Demolition Man 4.03
9 I’ve Done It Again 3.51Disc 2
1 Demolition Man (12” Version) 4.58
Issued as A-side of 12” single 12 WIP 6673, Feb 1981.2 Pull Up To The Bumper (Long Version) 5.45
Issued as A-side of 12” single 12 WIP 6696, June 1981.3 I’ve Seen That Face Before (Libertango) (12” Version) 5.32
Issued as A-side of Dutch 12” single 600.366, July 1981.4 Walking In The Rain (12” Version) 7.25
Issued as A-side of 12” single 12 WIP 6739, Oct 1981.5 Pull Up To The Bumper (Remixed Version) 7.15
Issued as B-side of 12” single 12 WIP 6739, Oct 1981.6 Use Me (Long Version) 6.10
First issued in 1998 on the compilation Private Life: The Compass Point Sessions.7 Pull Up To The Bumper (US Party Version) 5.00
Issued as A-side of US promotional 12” single PRO-A-936.8 Feel Up (Long Version) 6.15
Issued as B-side of 12” single 12 WIP 6696, June 1981. Also issued as A-side of US promotional 12” single PRO-A-985.9 Pull Up To The Bumper (1985 Remix) 6.24
Issued as A-side of cassette single CIS 240.10 Peanut Butter (Pull Up To The Bumper Instrumental) 5.10
Issued as B-side of cassette single CIS 240.11 If You Wanna Be My Lover (previously unreleased) 6.40
12 Me! I Disconnect From You (previously unreleased) 5.23
13 Esta Cara Me Es Conocida (I’ve Seen That Face Before (Libertango)) 4.32
Issued as A-side of Spanish 7” single B-102.587Quelle: SuperDeluxeEdition
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With Billy Joel in the midst of his unprecedented concert run as a “franchise” at New York’s Madison Square Garden, the time has never been better to revisit one of the most significant concert appearances of the Long Island troubadour’s long musical career. On May 20, 2014, Columbia Records and Legacy Recordings will definitively chronicle Joel’s historic 1987 Russian concert tour on A Matter of Trust – The Bridge to Russia.
A Matter of Trust will be available in a Deluxe Edition box set containing the full-length concert film (simply entitled The Concert) on DVD or Blu-ray; a 2-CD set (The Music) expanding the original KOHUEPT concert album; and, as an exclusive, the documentary film A Matter of Trust from Emmy-winning director Jim Brown who has previously brought the stories of Pete Seeger and Harry Belafonte to film. The box set will also contain a book containing new liner notes from contributors such as Gary Graff, Michael Jensen, Neal Preston, Rona Elliot and Wayne Robins. The concert film will be available separately on DVD and Blu-ray, and the 2-CD set The Music will also be released as a stand-alone title.
When the piano man’s tour in support of his album The Bridge stopped in the Soviet Union the year after the adoption of Mikhail Gorbachev’s policy of glasnost (read: openness or transparency) it made headlines around the world. Joel became one of the first major American rock artists to play in the Soviet Union post-Berlin Wall. Backed by his band including Liberty DeVitto (drums), Doug Stegmeyer (bass), Mark Rivera (saxophone), Dave LeBolt (keyboards), Russell Javors and Kevin Dukes (guitars), he stormed through six stadium concerts in Moscow and Leningrad (plus a smaller, acoustic show in Tbilisi) and was credited with introducing many Russian youths to American rock and roll via his big hits (“Uptown Girl,” “It’s Still Rock and Roll to Me”), recent songs from The Bridge (“Baby Grand,” “A Matter of Trust”) and even a spirited cover of The Beatles’ “Back in the U.S.S.R.” for good measure. By the end of the evenings, audience members who had never left Communist Russia were in a New York state of mind.
Performing in front of an audience of predominantly non-English speakers, Joel nonetheless communicated his New York brand of rock to the eager, and appreciative, crowds. If the concerts reportedly came at a financial loss to Joel, the goodwill gain for the U.S. was enormous. The entire tour was professionally filmed, and the concerts were also simulcast on radio to reach as wide an audience as possible. In the fall of 1987, the KOHUEPT album (“KOHEUPT” being a phonetic corruption of the Russian Концерт for “concert”) was first released by Columbia Records; it was eventually certified platinum. In 1991, the documentary surfaced as A Matter of Trust and additional footage from the concerts was issued as Billy Joel: Live From Leningrad, USSR.
The Concert has restored and remastered material originally issued on Live in Leningrad 1987, unseen since its VHS release. It’s been expanded with previously unreleased performances of songs including “An Innocent Man,” “The Longest Time” and “Sometimes a Fantasy.” The 2-CD release The Music adds eleven previously unissued tracks such as “The Ballad of Billy the Kid,” “New York State of Mind” and “Piano Man.”
Billy Joel, A Matter of Trust: The Bridge to Russia – Deluxe Edition (Columbia/Legacy, 2014)
Disc 1: A Matter of Trust: The Bridge to Russia documentary (previously unreleased) (Box Set Exclusive) (DVD or BD)
Live in Leningrad (Expanded) (released as SMV Enterprises VHS, 1987)
1.Prelude/Angry Young Man
2.Allentown
3.Goodnight Saigon
4.Big Man on Mulberry Street
5.Baby Grand
6.An Innocent Man *
7.Honesty *
8.The Longest Time *
9.A Matter of Trust
10.Only the Good Die Young
11.It’s Still Rock and Roll to Me *
12.Sometimes a Fantasy *
13.You May Be Right *
14.Uptown Girl
15.Big Shot
16.Back in the U.S.S.R.
17.Pressure (extra) *Discs 2-3: Концерт (Expanded) (released as Columbia LP C2X 40996, 1987) (CDs)
1.Odoya
2.Prelude/Angry Young Man
3.Honesty
4.The Ballad of Billy the Kid *
5.She’s Always a Woman *
6.Scenes from An Italian Restaurant *
7.Goodnight Saigon
8.Stiletto
9.Big Man on Mulberry Street
10.Baby Grand
11.What’s Your Name *
12.The Longest Time *
13.An Innocent Man1.Pressure *
2.Allentown
3.A Matter of Trust
4.Only the Good Die Young
5.It’s Still Rock and Roll to Me *
6.Sometimes a Fantasy
7.You May Be Right *
8.Uptown Girl
9.Big Shot
10.Back in the U.S.S.R.
11.The Times They Are A-Changin’
12.She Loves You (Rehearsal) *
13.New York State of Mind *
14.Piano Man *(*) denotes previously unreleased track
Quelle: SecondDisc
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Und hier das passende Bild dazu:
Quelle: www.superdeluxeedition.com
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It's only Rock'n Roll but I like it ---------------------------------------- Wenn die Sonne der Diskussions-Kultur niedrig steht, werfen selbst Zwerge einen langen Schatten. ---------------------------------------- Mein Konzertarchiv @ SONGKICK
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