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Beiträge
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Label: FunkyTownGrooves
TrackList:
1. Freeway Of Love
2. Another Love
3. Sweet Bitter Love
4. Who’s Zoomin Who
5. Sisters Are Doing It For Themselves
6. Until You Say You Love Me
7. Ain’t Nobody Ever Loved You
8. Push
9. Integrity
10. Freeway Of Love (Single Mix)
11. Sisters Are Doing It (Single Version)
12. Who’s Zoomin Who (Radio Mix)
13. Another Night (Radio Mix)
14. Aint Nobody Ever Loved You (Single Mix)
15. Freeway Of Love (Rock Mix) * CD 2
16. Freeway Of Love (Extended Remix) * CD 2
17. Sisters Are Doing It (Extended Remix) * CD 2
18. Who’s Zoomin Who (Dance Mix) * CD 2
19. Who’s Zoomin Who (Dub Mix) * CD 2
20. Who’s Zoomin Who (Acapella Mix) * CD 2
21. Another Night (Dance Mix) * CD 2
22. Another Night (Dub Mix) * CD 2
23. Another Night (Single Mix) * CD 2
24. Aint Nobody Ever Loved You (Remix) * CD 2
25. Aint Nobody Ever Loved You (Dub Version) * CD 2
26. Aint Nobody Ever Loved You (Percapella) * CD 2--
Highlights von Rolling-Stone.deDies sind die 10 Lieblingsalben von Marianne Faithfull
Warum das „Dschungelcamp“ niemals langweilig wird
John Lennon schrieb sich mit „Help!“ den Beatles-Kummer von der Seele
G3: Joe Satriani, Steve Vai und Eric Johnson im ROLLING-STONE-Interview
Dire Straits und „Brothers In Arms“: Gitarre in den Wolken
Alle Alben von Paul McCartney im Ranking
WerbungThroughout a long career that produced 62 albums during his lifetime, Frank Zappa frequently clashed with the music industry’s major labels. As recently as last year, the late musician’s estate was embroiled in a legal battle with Rykodisc, a unit of Warner Music Group. The irony had not been lost on Zappa fans when Warner acquired Ryko in 2006. After all, Warner was the label from which Zappa acrimoniously split in the late 1970s. But Ryko, one of the first-ever CD-only independent labels, had been the distributor of Zappa’s massive catalogue since 1986 and the label behind a comprehensive reissue campaign that began in 1995.
Today, the once-painstakingly-curated Zappa catalogue is in a bit of shambles, with many titles no longer readily available and fetching high prices on the secondhand market. Others have been released by the Zappa Family Trust in comprehensive, bonus-packed editions under new titles such as The MOFO Project/Object for Freak Out! and Lumpy Money for Lumpy Gravy and We’re Only In It For The Money . These deluxe “audio documentaries” restored original mixes not present on the previous, standardized CDs, and premiered unreleased material. The ZFT has also issued more rarities from the vault including a memorable 1971 live stand at Carnegie Hall and a lost Captain Beefheart album produced by Zappa. The question of just who retains the rights to the Zappa catalogue as of this writing (The Zappa Family Trust? Rykodisc?) hasn’t been fully answered in public view, though Rykodisc prevailed in many aspects of a United States District Court – Southern District of New York order dated August, 2011.
Now, news comes from our friends at MusicTAP that Zappa reissues are on the way from a new label: Universal, or UMe. It appears that June 26 will bring new editions of six early Zappa albums: Freak Out! (1966), Absolutely Free (1967), Lumpy Gravy (1967), We’re Only In It For The Money (1968), Cruising With Ruben & The Jets (1968), and Hot Rats (1969). Oddly, 1969’s Uncle Meat is apparently left out of this batch, which otherwise would contain all of Zappa’s 1960s albums with and without The Mothers of Invention. It’s also worth noting that all but one (Hot Rats) of the above-mentioned albums had releases on the Verve label, which is now part of Universal, and could possibly be reissued on CD for the first time on that imprint. (Verve was the original distributor of Zappa and Herb Cohen’s Bizarre label, which in 1970 was re-established under the Warner Bros. umbrella.)
Though these six albums are but the tip of the iceberg in Zappa’s catalogue, they already show the prolific artist breaking down the walls between rock, pop, jazz and classical music. The workaholic artist couldn’t have known that he would only live for 52 years, but he recorded with the pace of a man racing against time. A passionate defender of freedom of speech and denouncer of censorship of any kind, Zappa melded intricate, experimental melodies and arrangements with incisive, forthright lyrics that were often humorous and frequently off-color.
Zappa’s Verve debut with his group The Mothers of Invention, 1966’s Freak Out! , was a call-to-arms to the Los Angeles underground music scene. Far from traditional pop, rock or R&B, the album blended experimental sound collages with R&B and doo-wop pastiches (a particular favorite of Zappa’s) and absurdist comedy. Even today, it sounds like no other rock album, but it was just a portent of things to come from Zappa. The Mothers’ Absolutely Free (1967) not only targeted the authority but the counterculture as well, its political and social satire taking the form of mini-suites on each side of the original vinyl LP, auguring for future extended works. Lumpy Gravy (1968) was credited to Zappa solo, and took things a step further. It was an ambitious mélange of orchestral arrangements, spoken word and electronic experiments; through his use of the Synclavier, Zappa would be a pioneering musician in the latter field right up to the time of his death. Two more albums from the same year, We’re Only In It For The Money and Cruising with Ruben and the Jets, saw the auteur both expanding his sound palette and referencing the beloved music of his youth, respectively. The former was a wicked parody of flower power, complete with Sgt. Pepper-spoofing cover; no cow was too sacred for Zappa to skewer. The latter, however, was a spot-on and even affectionate doo-wop homage that showed Zappa understood the rules of pop music even as he broke them.
The original Mothers of Invention disbanded in 1969 after the release of sprawling double album Uncle Meat, which isn’t part of this reissue campaign. Zappa turned his attention to his first major symphonic work, which would be conducted by Zubin Mehta, and to his jazz-influenced, second solo album Hot Rats. Dedicated to son Dweezil, Hot Rats introduced one of Zappa’s most beloved compositions, the instrumental “Peaches En Regalia.” It was also his first album recorded with 16-track technology which allowed him to push even more musical boundaries. When Zappa reformed the Mothers in 1970, three alumni of the Turtles joined him: bassist Jim Pons and vocalists Howard Kaylan and Mark Volman, a.k.a. Flo and Eddie. That iteration of the Mothers began a new chapter in Zappa’s career.
Be sure to watch this space for answers to our questions about Universal’s Zappa reissues: Are these parts of a larger campaign? Will any bonus material be included? Which mixes will be utilized? The six titles are currently scheduled for release on June 26!
Source: SecondDisc
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The Kinks and the BBC are celebrated on “The Kinks At The BBC”. The release will be available as a 2CD ‘Best Of’ collection & limited edition collectors’ 5 CD + DVD complete set.
This release is collated from all of the BBC owned Kinks recordings that still exist in the archive and charts the inexorable rise of the band: from the first steps on the Pye label, to the glory days as one of the greatest acts of all time. The BBC gave the band a platform and support at crucial stages in their career and “The Kinks at the BBC” could be seen essentially as an alternate Greatest Hits, a musical growing up in public.
This incredible archive represents a great set of previously unreleased recordings in the Kinks catalogue. This collection brings together a raft of sessions and live recordings from throughout the band’s career including the rare concert and unheard session recordings. Included also is a DVD of the bands sought after appearances on Top of the Pops and the Old Grey Whistle Test a well as concerts from throughout the band’s career. This is a first for the band as these recordings have never been available in one place before.
Fully supported and endorsed by the band – The Kinks at the BBC” is a triumphant collection of the defining moments of a truly seminal British band, as witnessed, broadcast and archived by the voice of the nation, the BBC.
Quelle: http://www.thekinks.info/the-kinks-at-the-bbc/
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Absolutely Free (1967)
Apostrophe (‘) (1974)
Bongo Fury (1975)
Chunga’s Revenge (1970)
Cruising With Ruben & The Jets (1968)
Fillmore East – June 1971 (1971)
Freak Out! (1966)
Hot Rats (1969)
Just Another Band From LA (1971)
Lumpy Gravy (1967)
One Size Fits All (1975)
Over-Nite Sensation (1973)
Roxy & Elsewhere (1974)
The Grand Wazoo (1972)
Waka/Jawaka (1972)
Weasels Ripped My Flesh (1970)
We’re Only In It For The Money (1968)
Zoot Allures (1976)Release: 26.6.
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@ MacClaus: hast Du schon was gelesen, was (neues) Remaster und (eventuelle) BonusTracks angeht ?
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More than two decades after its release, Lenny Kravitz is planning a deluxe edition of his sophomore album, 1991′s Mama Said.
The Grammy-winning singer/songwriter has been noted more for his film work lately than his musical career, with solid supporting turns in Precious (2010) and the smash hit The Hunger Games (2012). But Mama Said continued to solidify Kravitz as a unique persona with a bright future ahead of him, the groundwork of which was laid with his 1989 debut, Let Love Rule.
Kravitz’s second album was his first to reach the Top 40 in America, and gave him the highest charting single of his career, the sublime “It Ain’t Over ‘Til It’s Over.” But, he told Billboard, the album reflects “a crazy time” in his life, one that saw the then-27-year-old musician coping with fame and family (daughter Zoë, mothered by actress Lisa Bonet, was born in 1988; the pair would divorce within years of Mama Said‘s release). “It was a lot to deal with,” he said. “I ended up kind of going into hibernation, ’cause at that point I went through a pretty serious depression. I just let all these feelings out onto the songs. It was very cathartic for me.”
In addition to those original songs, the double-disc reissue features six non-LP B-sides and 15 unreleased tracks, including rough demos, unreleased remixes of “It Ain’t Over” and several unheard songs, including a funk-based tune, “Riding on the Wings of My Lord,” and the instrumental “Framed, Lying, Crying.”
Disc 1: Original LP and bonus material
Fields of Joy
Always on the Run
Stand by My Woman
It Ain’t Over ‘Til It’s Over
More Than Anything in This World
What Goes Around Comes Around
The Difference is Why
Stop Draggin’ Around
Flowers for Zoe
Fields of Joy (Reprise)
All I Ever Wanted
When the Morning Turns to Night
What the Fuck Are We Saying?
Butterfly
Light Skin Girl from London
I’ll Be Around
Always on the Run (Instrumental)
It Ain’t Over Til It’s Over (12″ Remix Instrumental) *
It Ain’t Over Til It’s Over (12″ Extended/Dub version) *Disc 2: More bonus material
Riding on the Wings of My Lord (Rough Demo) *
It Ain’t Over Til It’s Over (Home Demo) *
What the Fuck Are We Saying? (Home Demo) *
The Difference is Why (Home Demo) *
Riding on the Wings of My Lord (Funky Vocal) *
Riding on the Wings of My Lord (Instrumental) *
Framed, Lying, Crying (Instrumental) *
Stand by My Woman (Instrumental) *
Stop Draggin’ Around (Live in Rotterdam) *
Always on the Run (Live in Rotterdam) *
Fields of Joy (Live in Rotterdam) *
Stand by My Woman (Live in Rotterdam) *
More Than Anything in This World (Live in Rotterdam) *
Always on the Run (Live in Kawasaki, Japan – July 1991)
Stop Draggin’ Around (Live in Kawasaki, Japan – July 1991)
What the Fuck Are We Saying? (Live in Kawasaki, Japan – July 1991)Disc 1, Tracks 1-14 released as Virgin Records V2 86209, 1991
Disc 1, Tracks 15 and 17 from “Always on the Run” 12″ single – Virgin VUST 34 (U.K.), 1991
Disc 1, Track 16 from “It Ain’t Over ‘Til It’s Over” 12″ single – Virgin VUST 43 (U.K.), 1991
Disc 2, Tracks 14 and 16 from “Stand by My Woman” CD single – Virgin VUSCD 45 (U.K.), 1991
Disc 2, Track 15 from “Stand by My Woman” 12″ single – Virgin VUST 45 (U.K.), 1991Source: SecondDisc
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Madchester band The Charlatans (known in America with the redundant appellation “The Charlatans UK”) will reissue their 1997 album Tellin’ Stories through Beggars Archive this month, for the album’s 15th anniversary.
The enduring alt-rock band – who made humorous headlines earlier this year when a joking tweet from frontman Jim Burgess turned into a limited-edition cereal in England – suffered major tragedy during the recording of Stories, with the death of keyboardist Rob Collins in a car crash midway through production. The band pressed on, though, and the results were bountiful: Tellin’ Stories was the band’s third U.K. chart-topping album, and spun off the band’s highest charting singles, Top 5 hits “One to Another” and “North Country Boy” and Top 10 hit “How High.”
As the band preps a series of live dates in June to commemorate the album, and with Burgess having named his recent autobiography after the record, Beggars Archive will release limited double-vinyl and double-CD sets (limted to 1,000 and 2,000 copies, respectively), featuring the remastered album with a bonus disc of B-sides, including an unreleased outtake, “Rainbow Chasing.” (It would morph into B-side “Don’t Need a Gun.”).
Disc 1: Original LP (released as Beggars Banquet BBQLP/CD 190, 1997)
With No Shoes
North Country Boy
Tellin’ Stories
One to Another
You’re a Big Girl Now
How Can You Leave Us
Area 51
How High
Only Teethin’
Get on It
Rob’s ThemeDisc 2: B-sides
Two of Us
Reputation
Don’t Need a Gun
Down with the Mook
Title Fight
Keep It to Yourself
Rainbow Chasing
Clean Up Kids
Thank You (Live @ Phoenix Festival – 7/18/1997)Disc 2, Tracks 1-3 released as B-sides to “One to Another” (Beggars Banquet BBQ 301CD, 1996)
Disc 2, Tracks 4-5 released as B-sides to “How High” (Beggars Banquet BBQ 312CD, 1997)
Disc 2, Tracks 6 and 8-9 released as B-sides to “Tellin’ Stories” (Beggars Banquet BBQ 318CD, 1997)
Disc 2, Track 7 previously unreleased – later became “Don’t Need a Gun”Quelle: SecondDisc
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Obwohl sich das Thema jetzt auch schon „so einige Zeit durch die Lande zieht“, ist eine DeLuxe-Edition des Albums weiterhin noch in der Planung. Auch hier Tendenz zum 2CD-Set.
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VÖ: 02.07.2012
Disc 1: The Original Album
Breakout
Twilight World (Superb Superb mix)
After Hours
Blue Mood
Surrender
Fooled By A Smile
Communion
It’s Not Enough
Theme from It’s Better to Travel
Another Lost Weekend (Long Version)
Blue Mood (12″“ Mix)Disc 2: The B-sides And Remixes
Breakout (NAD Mix)
Surrender (Stuff Gun Mix)
Communion (Instrumental)
Twilight World (Gas Distress Mix)
Fooled By A Smile (12″ Mix)
Dirty Money
Fever
Who’s To Blame
Wake Me When It’s Over--
AnonymRegistriert seit: 01.01.1970
Beiträge: 0
TARKUSComing in 2012.
Peter Gabriel has today announced that he is planning a special reissue of his seminal So album from 1986. No details, in terms of formats or content, are currently available, …„So will be re-issued on Sept 17 (UK/Europe) Sept 18 (USA) as a CD, special edition 3-CD set, and Super Deluxe Box Set“
Auch Mitte September:
Michael Jackson – Bad (Deluxe Edition Box Set)--
gollum“So will be re-issued on Sept 17 (UK/Europe) Sept 18 (USA) as a CD, special edition 3-CD set, and Super Deluxe Box Set“
Auch Mitte September:
Michael Jackson – Bad (Deluxe Edition Box Set)Also irgendwie habe ich keine Lust, mir alle großen Alben nochmals zuzulegen. Mir wird das alles zu viel und zu teuer.
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Jetzt schon 62 Jahre Rock 'n' Roll
AnonymRegistriert seit: 01.01.1970
Beiträge: 0
dr.musicAlso irgendwie habe ich keine Lust, mir alle großen Alben nochmals zuzulegen. Mir wird das alles zu viel und zu teuer.
Meist mehr Verpackung als neuer und interessanter Inhalt. Inzwischen gibt es ja Grund genug, solche Nachrichten als Warnhinweis zu deuten
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gollum… Inzwischen gibt es ja Grund genug, solche Nachrichten als Warnhinweis zu deuten
Stimmt auch wieder! Aber bis vor kurzem habe ich meine MEISTERWERKE (*****) auch gerne in der bestmöglichen Ausgabe gehabt.
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Jetzt schon 62 Jahre Rock 'n' Rolldr.musicStimmt auch wieder! Aber bis vor kurzem habe ich meine MEISTERWERKE (*****) auch gerne in der bestmöglichen Ausgabe gehabt.
Davon bin ich abgekommen. Die meisten ohne klanglichen Mehrwert, nur mit ein paar Bildchen usw. mehr. Nöööö.
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AnonymRegistriert seit: 01.01.1970
Beiträge: 0
dengel…, nur mit ein paar Bildchen usw. mehr. …
…oder eine Schnitzeljagd durch alte Demotapes (zB „The Wall“ Box 2012).
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