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Beiträge
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02.08.2010 / Polydor / 2CD
The QOTSA seminal album from 2000 is now 10 years old and has just been given the Deluxe treatment.
The album has been remastered and expanded to include a second disc containing 6 B-sides and 9 songs recorded live at the Reading Festival in 2000.
Disc One (Original Album):1 FEEL GOOD HIT OF THE SUMMER ( 2:43 )
2 LOST ART OF KEEPING A SECRET ( 3:36 )
3 LEG OF LAMB (2:49 )
4 AUTO PILOT (4:01 )
5 BETTER LIVING THROUGH CHEMISTRY ( 5:48 )
6 MONSTERS IN THE PARASOL ( 3:28 )
7 QUICK AND TO THE POINTLESS ( 1:42 )
8 IN THE FADE ( 3:51 )
9 TENSION HEAD ( 2:53 )
10 LIGHTNING SONG ( 2:08 )
11 I THINK I LOST MY HEADACHE ( 8:40 )Disc Two:
THE B-SIDES
1 ODE TO CLARISSA
2 YOU’RE SO VAGUE ( 3:40 )
3 NEVER SAY NEVER ( 4:22 )
4 WHO’LL BE THE NEXT IN LINE ( 2:29 )
5 BORN TO HULA
6 MONSTER IN THE PARASOL [live]LIVE AT THE READING FESTIVAL 2000
7 FEEL GOOD HIT OF THE SUMMER – 2:59
8 REGULAR JOHN – 5:12
9 AVON – 3:24
10 QUICK AND TO THE POINTLESS – 2:33
11 BETTER LIVING THROUGH CHEMISTRY – 5:20
12 ODE TO CLARISSA – 2:51
13 THE LOST ART OF KEEPING A SECRET – 3:33
14 YOU CAN’T QUIT ME, BABY – 10:34
15 MILLIONAIRE – 4:37--
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WerbungIn Zusammenarbeit mit der Concord Music Group wird Paul McCartney seine Soloalben wie die Veröffentlichungen mit Wings noch einmal, nun in einzigartigen Edition veröffentlichen. Soloalben wie McCartney, Ram, McCartney II, Tug Of War, Pipes of Peace, Give My Regards To Broad Street, Press To Play, Flowers in the Dirt, Off the Ground, Flaming Pie, Driving Rain, Chaos and Creation in the Backyard, Memory Almost Full und Good Evening New York City werden neu aufgelegt, ebenso wie die Wings-Klassiker Wildlife, Red Rose Speedway, Band On The Run, Venus and Mars, Wings At The Speed of Sound, Wings Over America, London Town und Back To The Egg. Im Katalog außerdem enthalten ist das von Kritikern gelobte Album The Fireman and Twin Freaks, das McCartney unter seinem Pseudonym Percy “Thrills” Thrillington aufgenommen hat. Den Anfang macht das legendäre Mccartney-Album „Band On The Run“ von 1973, das im August 2010 veröffentlicht wird.
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TARKUSIn Zusammenarbeit mit der Concord Music Group wird Paul McCartney seine Soloalben wie die Veröffentlichungen mit Wings noch einmal, nun in einzigartigen Edition veröffentlichen…
Auch hier gab es vor nur wenigen Jahren bereits Remaster. Und jetzt schon wieder. Mir wird das alles zu viel.;-)
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Jetzt schon 62 Jahre Rock 'n' Rolldr.musicAuch hier gab es vor nur wenigen Jahren bereits Remaster. Und jetzt schon wieder. Mir wird das alles zu viel.;-)
For wenigen Jahren Remaster?
Die kamen doch 1993 heraus, oder?
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Im Durchschnitt ist man kummervoll und weiß nicht, was man machen sollMacClausRainbow Deluxe
http://darkerthanblue.wordpress.com/2010/06/26/rainbow-deluxe/
Schon wieder ohne offizielles Live-Material … schade.
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02.08.2010 / RHINO HANDMADE / 2CD
Eine weitere Ankündigung von RHINO HANDMADE, was in diesem Fall als deutscher Kunde bedeutet: Bezug ausschließlich über die dortige Website, Preis bei happigen 39,98 USD + p&p, 100 % Zollrisiko.
– Features 23 previously unreleased performances
– Features the April 21 & 22, 1972 Cinderella Ballroom concerts in their entirety for the first time ever
– Includes six playing cards, one for each member of the band
– 31 tracks on 2 cdsBoston may have been home for The J. Geils Band, but the city of Detroit adopted the rock ’n’ soul sextet as one of its own. The group returned the Motor City’s hospitality, recording three live albums there during a 10-year span. Rhino Handmade plays a hot hand with an expanded version of the band’s first, “LIVE” FULL HOUSE.
This two-disc set contains The J. Geils Band’s April 21 and 22, 1972 concerts at the Cinderella Ballroom in their entirety, including the eight tracks featured on the original 1972 live album along with 23 unreleased performances. As a bonus, the set comes packaged with six playing cards, one for each member of the band.
Peter Wolf (vocals), Seth Justman (keyboards), J. Geils (guitar), Magic Dick (harp), Danny Klein (bass) and Stephen Jo Bladd (drums) recorded two modestly successful studio albums before making the unconventional decision to record their third effort live. Full House, as the document came to be called, is a fiery snapshot of a band coming into full possession of its powers and is considered by many to be one of the greatest live albums of all time.
Composed entirely of songs from the two previously released Geils albums, Full House easily outsold both and was the band’s first gold album. Rhino Handmade’s Deluxe Edition of “LIVE” FULL HOUSE includes unreleased versions of the original album’s eight tracks, including “Whammer Jammer” and “First I Look At The Purse” recorded Friday night as well as “Pack Fair And Square” taken from Saturday night.
Among the set’s 31 tracks are never-before heard versions of Albert Collins’ “Sno-Cone,” “Wait,” “Floyd’s Hotel” and “(Ain’t Nothing But A) House Party,” a song that would appear the following year on Bloodshot, the group’s most successful release during their decade with Atlantic Records.
Ben Edmonds, a writer for Creem at the time of the recording, pens the liner notes. He writes: “Home being where they’re supposed to love you no matter what, any serious band needs to test itself in a tough out-of-town arena to find out what it’s capable of. That’s what Detroit was for the Geils band, and it is no slight to Boston to suggest that the group responded to the warmth of the city’s embrace with the most passionate performances they’d ever given.”
Alles weitere: http://www.rhino.com/shop/product/j-geils-band-live-full-house?eml=rh/062810/header
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30.08.2010 / SONY / LEGACY Editon: 2CD + 1 DVD / DELUXE Box Set : 3 CD + 1 DVD + 2 Vinyl
Released in April of 1970, Bitches Brew was informed by and reflective of the music that Miles heard being produced in the late-’60s by Jimi Hendrix, Sly Stone, James Brown, Santana, Marvin Gaye and others, as well as the Beatles’ post-production editing pyrotechnics. The original double-LP’s six tracks, as formulated in the studio by Miles and his long-time producer Teo Macero, presented a seismic breakthrough in jazz/rock/funk/R&B. The tracks comprised the 20-minute side-long “Pharaoh’s Dance” (a Joe Zawinul composition), followed by four Miles compositions, the 27-minute side-long “Bitches Brew,” then “Spanish Key,” “John McLaughlin,” and “Miles Runs the VooDoo Down,” concluding with the Wayne Shorter composition, “Sanctuary.”
The new quintet lineup of Shorter, Corea, Holland, and DeJohnette solidified during the 1968-‘69 recording of Filles De Kilimanjaro andIn a Silent Way. This is the group who performs on the Copenhagen concert DVD of November 1969. By March of 1970, they were a seasoned touring group that had accepted the challenge to go head-to-head with arena rock bands at venues like Bill Graham’s Fillmore where rock audiences embraced them.
But three months earlier at Columbia Studios in New York City, at the principal sessions of August 19th (“Bitches Brew,” “John McLaughlin,” “Sanctuary”), 20th (“Miles Runs the VooDoo Down”), and 21st (“Pharaoh’s Dance,” “Spanish Key”), the ranks had swelled to a dozen musicians, and looked like this: Miles on trumpet, Wayne Shorter (soprano saxophone), Bennie Maupin (bass clarinet), Joe Zawinul (electric piano – left), Chick Corea (electric piano – right), John McLaughlin (guitar), Dave Holland (acoustic bass), Harvey Brooks (electric bass), Lenny White (drums – left), Jack DeJohnette (drums – right), Don Alias (congas), and Jumma Santos (Jim Riley) – shaker. The only variation was Don Alias taking over for Lenny White on the 20th, but White was back on the 21st. The advent of multiple keyboardists, multiple bassists, and multiple percussionists and drummers is one of the defining sonic characteristics of Bitches Brew, and made a serious impression on the FM progressive rock audience.
The COLLECTOR’S EDITION adds four bonus tracks from August – alternate takes of “Spanish Key” and “John McLaughlin,” and rare edits (for 45 rpm single releases) of “Miles Runs the VooDoo Down” and “Spanish Key.”
Miles reconvened at Columbia Studios in New York for two days of sessions on November 19th and 28th (long after Copenhagen) with most of his group intact, except for Shorter. The lineup looked like this: Miles on trumpet), Steve Grossman (soprano saxophone), Bennie Maupin (bass clarinet), Herbie Hancock (electric piano – left), Chick Corea (electric piano – right), John McLaughlin (guitar), Ron Carter (bass), Harvey Brooks (electric bass), Khalil Balakrishna (sitar), Bihari Sharma (tambura, tabla), Billy Cobham (drums, triangle), and Airto Moreira (cuica, berimbau). The only variations were the additions of Larry Young (organ, celeste) and Jack DeJohnette (drums) on the 28th.
None of this music was used for the original Bitches Brew album (although all of it is heard on the 1998 box set). For the COLLECTOR’S EDITION, producers Seidel and Cuscuna have judiciously chosen to include two short pieces – single edits of “Great Expectations” and “Little Blue Frog” – as examples to show the evolution of Miles’ sound in just three short months. “These edited 45 rpm singles,” the producers explain, “bound no doubt for radio stations and juke boxes, were the only nod to traditional marketing that this album received.” Although the music on this single was not included in the original double LP, the single was released in February 1970 as part of the promotional set-up for the Bitches Brewfull album in April 1970.
When Wayne Shorter played his final dates with the group at the Fillmore East in March, it marked a turning point, as he went on to organize Weather Report, and Corea and Holland subsequently joined forces as Circle. Only DeJohnette stayed on with Miles (through the Jack Johnson and Live-Evil period).
Soon after the April release of Bitches Brew, while Holland and DeJohnette were still on board, Shorter was replaced by Gary Bartz on saxophone, Keith Jarrett joined as a second keyboardist (on organ, comple ment ing Corea’s electric piano), and Airto Moreira joined on percussion. “Their outstanding live Tanglewood performance from August 18, 1970, of four compositions from Bitches Brew” the producers note, “shows further development of the material due in large part to the added colors possible with the larger ensemble. In the hands of master improvisers, the constant evolution that a piece of music experiences is fascinating. The full story can only be told with the passage of time in live performance.”
Greg Tate explores a world of contexts in which to understand Bitches Brew both literally and figuratively. Miles’ fatherly instruction to Lenny White (some 25 years his junior) was “to literally think of all the assembling players as stewing in a big pot where they were all the bitches.” Tate then places the album “forthrightly within the pantheon of the period’s other goddess-muse inspired masterworks: Eric Clapton’sLayla, the Rolling Stones’ Exile On Main Street, Santana’s Abraxas, James Brown’s Original Funky Divas, and Funkadelic’s Maggot Brain andCosmic Slop.”
After Bitches Brew, Tate concludes, “Miles didn’t wait five years to radically switch up his game in the ’70s – for the next half decade he will steadily release edgy, rough-angled and prophetic music that sounds as contemporary today as any front runner we care to choose – OutKast, Björk, Radiohead, the Roots, Erykah Badu, bring ‘em on – Bitches possesses all their contemporaneity and stuff beyond their grasp too, the shape of jazz to come, still.”
Miles Davis – ‚Bitches Brew‘ (DELUXE BOX SET) (3 CD + 1 DVD + 2 Vinyl): this super-deluxe edition celebrates one of the most remarkable albums in Miles Davis‘ career and jazz history in general. Originally released in 1970, this anniversary 4-disc package offers three CDs (two CDs containing the original 94-plus minutes of music with six bonus tracks), plus a third CD with a previously unissued performance by Miles’ group with Keith Jarrett, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira and Gary Bartz at Tanglewood, August 1970); A DVD of a previously unissued performance by Miles’ Quintet lineup with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette in Copenhagen, November 1969; Audiophile 180-gram vinyl double-LP gatefold replication of the original album mastered from the original 2-track analog masters for the first time in many years. The Collectors Edition takes full advantage of the LP-sized 12×12 box set format. It includes (in addition to the recordings and DVD) a lavish 48-page color book, memorabilia envelope (among the contents are a reproduction of a Miles Davis cover story originally published by Rolling Stone in 1969, and correspondences from the Teo Macero archives), and a fold-out poster of Miles in concert.
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John Lennon Backkatalog
Whether you’re more of a John Lennon or Paul McCartney fan, it’s hard to overstate the contributions these two made to the pop-rock world, first as the principle songwriters of The Beatles and then as solo artists in their own right. Last year, of course, saw The Beatles’ discography get remastered for the first time since the original releases of the records on CD in 1987. The McCartney catalogue is slated to come back out on CD through Paul’s new homebase, Concord Records, starting with a new reissue of Band on the Run this August.
And now, EMI has announced the Gimme Some Truth campaign, a massive catalogue overhaul for John Lennon in celebration of what would have been his 70th birthday (if you can believe that). This wave of product includes a lot of remastering, compiling and vault hunting, so hit the jump and take a look at what’s going to happen.First up, on October 5, EMI is releasing digitally remastered versions of eight solo Lennon records: John Lennon/Plastic Ono Band (1970), Imagine (1971), Some Time in New York City (1972), Mind Games (1973), Walls and Bridges (1974), Rock ‘n’ Roll (1975), Double Fantasy (1980) and the posthumous Milk and Honey (1984).
That reissue of Double Fantasy is a special one. The record, released weeks before John Lennon’s shooting death on December 8, 1980, will be expanded to a two-disc set, with the second disc featuring Double Fantasy Stripped Down, a new remix of the record overseen by Lennon’s widow Yoko Ono and producer Jack Douglas, both of whom produced the original LP with Lennon.
Then there’s a new compilation. Power to the People: The Hits compiles 15 Lennon tracks onto one disc, and will also be featured as an “Experience Edition” with as-yet-unannounced bonus content. The set will be packaged in a digipak with a new essay by Paul Du Noyer, author of the Lennon bio We All Shine On.
Finally, the big guns: two box sets. Gimme Some Truth is a 72-track anthology that presents Lennon’s work on four themed discs: “Roots” (Lennon’s rock influences), “Working Class Hero” (the political songs), “Woman” (love songs), and “Borrowed Time” (songs about life). That set will feature an essay by Anthony DeCurtis, a well-known name to liner notes enthusiasts.
Finally, The John Lennon Signature Box will gather it all. Eleven discs of material featuring all the remastered material plus Lennon’s non-LP material and a host of rare and previously unreleased recordings. That deluxe box will feature a limited edition art print and another heavy-duty batch of liner notes written by DeCurtis and filled with rare photos and artwork.
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Au ja! Ich lasse mich gerne melken! Muh! Wer braucht denn das?
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Je suis Charlie Sometimes it is better to light a flamethrower than curse the darkness. T.P.grandandt… Wer braucht denn das?
EMI – die müssen dringenst aus den roten Zahlen ‚raus …
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MacClausJohn Lennon Backkatalog
And now, EMI has announced the Gimme Some Truth campaign, a massive catalogue overhaul for John Lennon in celebration of what would have been his 70th birthday (if you can believe that). This wave of product includes a lot of remastering, compiling and vault hunting, so hit the jump and take a look at what’s going to happen.First up, on October 5, EMI is releasing digitally remastered versions of eight solo Lennon records: John Lennon/Plastic Ono Band (1970), Imagine (1971), Some Time in New York City (1972), Mind Games (1973), Walls and Bridges (1974), Rock ‘n’ Roll (1975), Double Fantasy (1980) and the posthumous Milk and Honey (1984).meine Güte, nochmal digitally remastered, als wenn das noch jemand bräuchte – POB und Imagine und MG gibts bestens von MFSL, die Yoko Ono Remixe/Remasteres sind auch gut… das neue wird nicht besser werden, eher besteht die Gefahl, dass es ähnlicher Mist wird wie die aktuellen Stones remaster: Viel Bohei und nix dahinter…
braucht EMI Geld?
MacClaus
Then there’s a new compilation. Power to the People: The Hits compiles 15 Lennon tracks onto one disc, and will also be featured as an “Experience Edition” with as-yet-unannounced bonus content. The set will be packaged in a digipak with a new essay by Paul Du Noyer, author of the Lennon bio We All Shine On.die braucht auch keiner… ne bessere Compilation als die Doppel-CD „Working Class hero“ wirds nicht mehr geben….
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Die MFSL-Scheiben von Imagine, Plastic Ono Band und Mind Games sind die von Yoko Ono authorisierten Remixes. Nur Double Fantasy ist der Original Mix.
Die MFSL unterscheiden sich vom Klang (fast) nicht von den regulären Remixes.
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TARKUS02.08.2010 / RHINO HANDMADE / 2CD
Eine weitere Ankündigung von RHINO HANDMADE, was in diesem Fall als deutscher Kunde bedeutet: Bezug ausschließlich über die dortige Website, Preis bei happigen 39,98 USD + p&p, 100 % Zollrisiko.
– Features 23 previously unreleased performances
– Features the April 21 & 22, 1972 Cinderella Ballroom concerts in their entirety for the first time ever
– Includes six playing cards, one for each member of the band
– 31 tracks on 2 cdsDie Platte ist es wert… zählt zu den 10 besten LIVE Rock Scheiben.
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MacClausDie Platte ist es wert… zählt zu den 10 besten LIVE Rock Scheiben.
Oh ja. Diese neue Edition hätte ich auch gerne. Aber zu diesem Preis?!
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Je suis Charlie Sometimes it is better to light a flamethrower than curse the darkness. T.P.
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